Life and Things

I opened up the wordpress dashboard today to write a post and noticed I had a post pending from June. So, uh… here’s that post so I can get it out of the draft section:

It’s June, so I should probably write something, but it feels like my life has been a whole lot of The Same™ for the past few months (and years), so I’m not sure how much interesting there is to write about.

Well, I guess there are two things.

The first is that we attended a wedding (Lea and David’s) for the first time in something like three years, and it was simultaneously amazing to do something that felt almost normal and terrifying because COVID is still a thing and numbers are going up again at the moment. I guess we’ll know later this week if we got out unscathed.

As far as weddings could have gone though, I think this was the most low-risk it could have been. It was local (so no travel required), they required at-home tests the day of (a few hours before) from all attendees, the venue was largely outdoors, and the indoor portions were in a room where one side was almost entirely open to the outside (with good air circulation).

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The second is that my mom came to visit for a week last month, on her way to DC to see my uncle, who hadn’t visited the US since the pandemic began. Unfortunately, I couldn’t make the trip with her (work obligations and also a bit of fear of travelling, still), but it was amazing to see her again. I think the 2.5 years was the longest I’ve gone without seeing her in real life, although we have been sporadically Facetiming.

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In any case, in terms of December updates, I guess there’s a few things?

In the world of TV, we finished Deep Space Nine and started The Original Series, and I’ve also started watching my way through Community with small interludes into a small SciFi show called Dark Matter and an attempt at a series called Under The Dome, along with finishing a series called Second Chance. Let’s tackle these in a fairly random order?

DS9 as a whole was much, much better than I was expecting. I think, of all the Star Trek series, it has by far the most coherent overall narrative, best character development and growth, and the general feel of realness that none of the other series really have. I think they did just about everything right within the context of the series and, except for a few really bad episodes (why does everyone like “Move Along Home” and “Take Me Out To The Holosuite” so much?!), has outstanding episodes that deal with difficult issues (like war) in depth.

Unfortunately, that’s also a lot of why I think Voyager is still my all-time favorite series? As a whole, I would say I watch TV (and entertainment) to ignore the realities of life and the world at large. There are a few exceptions (Crazy Ex-Girlfriend arguably being one of them, but it’s a show I have no urge to return to at the moment despite my love for it, so maybe that just reinforces the point), but there’s something about being able to jump into Enterprise or TNG or Voyager provides an escapism that DS9 just doesn’t, even though it’s obviously not contemporary.

This leads to maybe why Dark Matter and Under The Dome just didn’t click for me, and maybe some of that is thanks to the depressing state of the world at the moment. Dark Matter is a well-done SciFi series that strikes me a lot like Firefly or BSG (closer to the former than the latter). Under The Dome is a town sealed off from the world where people start fighting amonst themselves and, uh… yeah, too close to home for the pandemic-laden world. I didn’t watch beyond the first few episodes of either series. Maybe I’ll come back to them later.

Not much to say about The Original Series of Star Trek. It’s about as bad as I expected it to be, so far. I guess I can understand how it was groundbreaking at the time, but yeah… in today’s world, it’s sexist and strangely acted and has honestly irritating sound effects. We’ll watch it just because I feel like we have to, but we’ll see how that continues to go.

Second Chance is a decent show. It was apparently billed as “a modern take on Frankenstein” and, uh… I guess you could call it that? It’s really just an investigative-themed show (like White Collar or kiinnndddda like Psych) that has techy elements around it. Not a huge fan of how the series ended, but it was an enjoyable enough watch through.

Community though… is a gem. Its first season was great, its second season is better, and even its special features (with a deadpanning Dan Harmon interviewing cast members) are hilarious. It’s exactly the kind of light-hearted escapism that still tackles serious issues that I need right now in the screwed-up pandemic-laden world. I’m looking forward to bingeing through the remaining seasons.

Speaking of the pandemic-laden world, I feel like that’s all I ever write about anymore, but everything seems like it’s going backward. No one masks up anymore, anywhere, even though there are new and still more contagious variants spreading. Everyone’s living their lives as if the world is normal now, and it’s really, really not. It’s both infuriating and depressing at the same time.

I haven’t flown since February 2020. I’ve eaten in exactly one restaurant in the past three years. I can count the number of non-home indoor places I’ve been maskless in on two hands (in-laws’ house, dentist, hair salon, the one restaurant once, one friend’s house to play with his cat while he was not home, and “Lea/David wedding venue even though that was basically outdoors”). Even my friends who I consider to be careful people have stopped masking when we stop in places to grab takeout. It makes me feel like I’m one of very, very few sane people left in the world who actually consider covid a threat.

Blah.

Anyway, life goes.

Tee Vee

Work continues to be a thing. The more senior architect in my area left the company recently, and it feels like I’ve been taking on at least some of his duties in his absence. This has meant that I’m involved in significantly more high-level planning conversations and discussions, leaving even less time for me to spend on actually dealing with coding-level things across my (increasing) teams. I suppose this is technically a good move for me, and it’s actually felt less stressful now than in the past because it has come with an increasing number of strong technical leads across my teams (and the other remaining amazing architects I have the pleasure of working with) that allow me to increasingly delegate team-level duties outward.

It’s weird, and I’m still not sure how much I really like not being an IC anymore, even though that change has been years. But it feels like it’s working. So it goes.

Other than work, life continues. We’ve been taking advantage of the unseasonably warm weather to host cheese parties on our back deck, as well as taking opportunities for outdoor dining while they still exist (because the pandemic is still a thing despite what everyone else seems to think). Oakland trips over the weekend to grab food from various places and eat it out in Schenley Plaza (or similar), followed by bubble tea from Fuku, has also been a thing. So that’s been nice, at least.

I’m fully expecting the election this upcoming week to send me down another depressive spiral of despair, so before then, I figured I should make a post about something less negative.

A large part of my free time lately has been spent watching (old) TV shows. The biggest one recently was Crazy Ex-Girlfriend, which was a recommendation from a friend, and it’s also become one of my all-time favorite shows. (How many does that make now? :P) I was immediately drawn to it because it’s a musical series (and Glee, despite its many, many, many flaws, still holds a special place in my heart because of that), and I’d previously seen many of the music videos online. But the show itself is… ridiculously, amazingly, unbelievably good. I feel like it approaches characters and relationships and sexuality and mental disorders in such a responsible and caring way, and it also is ridiculously fun, besides. (It’s also ridiculously cringe at parts, but uses that discomfort as a narrative tool so well that I couldn’t stop wanting more of it all, even the cringe parts.)

The music videos also hit very differently in context, which I don’t think I really appreciated (or thought I would appreciate) until I actually saw the first one I recognized. Not only do they all stand on their own as extremely well-done and entertaining pieces, they also are incredibly well-blended with the plot and episode and characters around them.

The show didn’t quite leave me a sobbing mess in the same way Schitt’s Creek sometimes did, but it deserves to be mentioned in the same breath anyway because it is truly a masterpiece, and I’m so thankful it got its full four-season run, because I think ending at any of the other points would have been an utter travesty given the character arcs and development.

I recommend checking it out, but if you don’t, you should at least look up some of the music on YouTube because it is glorious in its own right. Highlights for me include (in no particular order): A Diagnosis, I’ve Always Never Believed In You, No One Else Is Singing My Song, I Hate Everything But You, Let’s Generalize About Men, The End Of The Movie, The Moment Is Me, This Is My Movement, Let’s Have Intercourse, Face Your Fears, and I Gave You A UTI. (As I said, responsible and caring about sexuality. :P)

Speaking of music and musicals, I also finished watching through the two seasons of Smash today. I approached it with a small bit of context from seeing a couple of the songs on YouTube previously (primarily Rewrite This Story and Caught In The Storm, via YouTube recommendations after a bunch of Jeremy Jordan videos, but a few of the others as well), and with knowing that critics had largely panned the show and its plot and characters (but without knowing any details of those reviews). And I have to say… I was pleasantly surprised by the entire thing. The songs here also hit differently in context, and are tied in beautifully with the plots and characters. While I would generally say the first season of Glee was better than Smash as a whole, Smash is significantly more cohesive, consistent, and overall better than Glee as a whole (which quickly derailed during its second season and became unwatchable during its third and onward).

The consistency is particularly important to me, and Smash does switchups in a way that feel significantly more natural and believable. For example, in Glee, we always have “new songs” for the big competitions, often justified in the narrative in the flimsiest possible ways (“show up in New York with no songs written and write them, instrument them, and choreograph them the night before!”), while in Smash the “new song” was done in a narratively-consistent way (“hey, experienced songwriters who have been working on this already, you have a few hours to figure it out and finish it, and also stage it as identically to the opening number as possible to make it learnable, and also all the other show songs are ones we’ve seen already”). Not to mention that Smash also does a ton more original numbers, and they connect in-universe with the characters and stories much, much better than any original songs Glee ever did, even though those were supposed to be “from the heart” and “what’s going to win us Regionals”. It just flows better, as a show.

Catching up on the critics’ reviews afterward, I find myself agreeing with a lot of it (yes, I noticed that Katharine McPhee wasn’t the best at emoting, even while watching it myself, and yes, the show does a lot of “telling but not showing”), but actually disagreeing with most of it. No, both actresses were reasonable choices for Marilyn in different ways. No, Katharine McPhee is actually hella talented and can sing really damn well. No, some of the “super cringe” story elements (particularly with regard to Kyle) weren’t actually that bad. No, the “wandering plotlines” in the first season were not out of place because they gave each character a plot point and some focus. No, Dev actually served an important purpose in the first season.

Maybe I just watch TV for fun too much to be quite that critical of it, and can forgive a ton of plot or character issues as long as I’m enjoying myself and it all makes reasonable sense, for some definition of “enjoying myself” and “reasonable sense”.

I’ve also watched through Lower Decks, also at the recommendation of a friend, and also partially because we’re working our way through all of Star Trek (currently on season 7 of Deep Space Nine). It is… not good, which is maybe amusing given the paragraph immediately before this one. Season 1 was okay enough, I suppose, and had a lot of good moments (including one or two where I actually laughed; almost every appearance of the doggo in “Much Ado About Boimler” was gold), but it as a whole just feels too fast-paced and a lot of it feels like it falls flat for me. Season 2 just feels like a lot of really cheap jokes that don’t really land and also feel even more out of place in the Star Trek universe.

Contrast that to Better Off Ted, another comedy series that I think lands every episode and nearly every joke. It has some cringe-worthy moments, but as a whole it’s witty and funny and feels overall well-written. It seems like a huge shame that Better Off Ted only lasted two seasons, while Lower Decks is ongoing (four seasons, now), in the same way that it feels like a huge shame that Smash lasted two seasons while Glee did six.

I’ve also watched some other things that aren’t worth commenting on quite as much, and have purchased a couple more series on DVD that I’ll need to start soon (primarily Warehouse 13 and Community). I suppose that’ll be my entertainment for the next however many months, and what’ll help get me through the mess that is sure to be next week.

Anyway. Happy continued pandemic, everyone. :\

My World’s On Fire, How ‘Bout Yours?

I keep thinking I need to post, and then I don’t have anything to post about, and then suddenly I have everything to post about, and I have no idea how to articulate any of my thoughts on any of it.

I’m super behind on everything in life right now, from emails and photos and housework and personal projects to the day job and even this journal. And the world continues to sink deeper and deeper into despair every day, which doesn’t exactly give me any motivation to start making progress on any of it.

I guess instead (and in an attempt to make progress at least on the journal part) I’ll just say we did a cabin trip last week to the Adirondacks with friends, which marks the most serious indoor activity with others since the pandemic started (and, other than my mom visiting a few months ago, the first time indoors with others for longer than about a day). Five of us found a rather nice (and very well-equipped) cabin by a lake that made both an excellent home base for hiking/kayaking/outdoor activities, as well as a place for me and Mark to not do those things and instead spend our days playing board games. Assisted by nightly COVID testing, all of us seem to have gotten out of it without getting sick, so I continue my streak of avoiding getting COVID, even as more and more friends and coworkers are falling around me.




Given the way things continue to go, I’ve been having the nagging thought since then that that week might be the last time for the foreseeable future that I’m truly happy. And I really don’t know what to do about that.

Meal Kit Updates, Games, Pandemic, and Thou (or really Moi)

We’ve been getting a meal kit every week or two for quite a few months now (since before my summary of meal kit experiences post), and now that the novelty factor has worn off a bit, and I’ve gotten at least three boxes from each of Dinnerly, EveryPlate, Martha Stewart, and Hello Fresh, I think it’s time for a small update.

First and foremost: The lack of in-box recipe cards from Dinnerly has proven to be somewhat of a pain. It’s remedied by printing them ourselves, but it’s still an extra step that involves copying files to the computer hooked up to the printer. I’ve also encountered a couple recipes from Dinnerly now that seemed extremely poorly thought through, including a lentil-based meatless loaf that was the first meal kit meal I had to throw out. So I think a bit of the “this is the cheapest of all the meal kits” has really started to show.

Along those lines, the second cheapest, EveryPlate, has not suffered from the “bad recipe” problem, but instead has fallen victim to the “these are not interesting recipes” problem. There’re been many weeks now where I’ve looked through the recipe selections and nothing stands out to me as something I want to make and eat. There’s only so many times you can toss potatoes in olive oil and bake them, or so many ways to chop onions/garlic and cook with orzo/rice, or so many times you can season a chicken breast and pan fry it.

On the other hand, I’ve grown increasingly fond of Martha Stewart and Hello Fresh, despite their higher prices. One thing I’ve found from having had 6 different meal kit company subscriptions over the past 5 months is that many of them will send you “come back and try us again” savings, so I’ve been cycling through these to never pay full price for any box. From that standpoint, Martha Stewart and Hello Fresh have been significantly more worthwhile.

Of the two, I would call Martha Stewart’s meals more unusual (but slightly more expensive) while Hello Fresh’s are a little more straightforward while remaining interesting.

So I think, given discounts exist, I’d probably recommend Martha Stewart or Hello Fresh the most, even though I still think these kits are not worthwhile at full price. We’ve generally settled on each “for four people” kit making 3 servings for the two of us, although some of those (for example the plum/ginger pork below) require a supplemental second dinner afterward.

In entertainment-y life, my new gaming laptop kicked off some semi-regular video gaming nights thanks to Austin. We worked our way through a few games like Biped, Escape Room Simulator, and Moving Out. We also got into a couple more open-ended games in Unrailed, Risk of Rain 2, and Don’t Starve Together. The latter, in particular, has been nice because I’ve managed to get Ben and Steve and Seth involved as well. I think I’m finding that my video gaming life is really driven by a desire for social activity over anything else, which is perhaps unsurprising given the pandemic.

Along those same lines, however, I’ve grown strangely sick of trying to wrangle people for activities, which in many cases have meant they just… don’t happen. The Among Us groups I was running last year fizzled out because people stopped attending after RSVPing or expressing interest, making larger games difficult. General non-Thursday (virtual) board gaming has fizzled out because people generally don’t seem to be interested. I think maybe this is the pandemic again just lowering my threshhold for dealing with “less than super straightforward” stuff in my life… normally I’d love arranging events. I just haven’t felt it for the past many months.

That leaves just the regularly-scheduled recurring stuff: Thursday virtual board games, Sunday night Jackbox, and monthly virtual get-togethers. At least those are nice to have.


Speaking of the pandemic and my life… I think the best way to describe my mental state at the moment is “I’m tired”. I’m tired of feeling like I’m the only person taking the risk of disease seriously still, with everyone else going maskless everywhere and filling gyms and attending conventions and taking international vacations. I’m tired of variant after variant because people can’t do their part when needed to lower transmissibility. I’m tired of trying to figure out where my “acceptable” risk levels are because the world’s continuing on without me whether I like it or not even though I’m terrified of getting sick due to my increased health risk and the prospect of long covid.

It’s honestly hard to see anything positive in the future at the moment, either politically (hooray the far left is going to make us lose congress again this year and set us back another couple decades!), ecologically (hooray climate change is accelerating and we’re all going to burn and/or drown and/or starve!), societally (hooray divisions between people have never been greater such that even a pandemic couldn’t bring us together!), socially (hooray I still feel weird seeing people for non-outdoor/non-virtual activities because the pandemic is a thing!), professionally (hooray I feel stuck in a rut and burnt out work-wise and don’t know what to do about it!), or creatively (hooray I haven’t really been interested in photography or card game design in years now!).

At least my personal/romantic life continues positively. It often feels like it’s the only thing that is, these days.

I just wish I could find things to do in the rest of my life that make me feel even a tenth as fulfilled as and that I care about even a tenth as much as that. Maybe that means “I’m apathetic” is a better descriptor than “I’m tired”. Maybe I’m both.

Maybe hanging all your happiness on one other person is a terrible idea, and ultimately fairly unfair to them.

Maybe I just don’t have the energy to care, these days.

So life goes, I suppose.

Adirondacks, Schitt’s Creek

We did another cabin trip! This one was a far one, to a little cottage in the town of Keene, New York in the Adirondacks.

There was the usual hiking and lounging around the place.

We also got to see Mark on our drive back, which was nice.

But I spent most of the week at the cottage bingeing Schitt’s Creek, which I think is my all-time favorite show now. It’s been sitting and simmering for a bit over half a week, and I think it’s pretty safe to say that it

  • Has some of the most consistent characters I’ve seen in any show… there’s very visible character growth through the seasons, but the characters never act in a way that seems “off”… every change makes sense and feels earned
  • Starts consistently good, instead of having a first few seasons that are easily skipped (such as Parks and Rec or Star Trek The Next Generation)… I think the cast is a large part of this, because it feels like they all come in the right way and changes are character growth rather than the actor growing into the role
  • Has the best pacing I think I’ve ever seen in a show… it never tries to do too much within an episode or season, and gives events the time they need to sit and simmer
  • Left me an emotional wreck starting in the fourth season, and especially into the later part of season 5 and season 6, but did an amazing job interspacing levity with its emotional moments so it didn’t get overwhelming
  • Doesn’t really feel like it has “filler” or bad episodes, because there’s always some important development or insight happening in every episode… I think the only one I can think of is “Roadkill”, and I wouldn’t even call that episode “bad”
  • Had I think the all-time best final episode of any show I’ve ever seen… it gives closure in the right ways and (as noted above) everything feels like it’s happening at the right time with no sudden unexpected storylines to tie up
  • Ends at the right time, instead of dragging on into bizarre later seasons like we see with House or much of Glee or getting cancelled prematurely like many other series, which overall makes for an extremely satisfying watch
  • Does such a good job of developing all of its characters and giving them important moments… for example, I think Maybe This Time is a great example of how to properly tie in music and performance into a show, because that entire scene is such a great epiphany for the character… it reminds me of how Glee actually did a good job tying its music into the plots in most of its first season
  • Is amazing because it gave us A Little Bit Alexis and the beautiful cover of The Best

I’m so glad I was able to consume the entire show in one go instead of having to wait for it week by week. At some point I’ll need to find some time to rewatch the entire thing again.